The Vale Between Worlds: Leslie Anne Lee and the Stories That Wouldn’t Let Go  

Written By Dan Hawk 

Somewhere between a childhood full of second place ribbons and a closet crammed with more books than clothes, Leslie Anne Lee became the kind of writer who refuses to quit. Not just at the page, but in life. She writes with a voice sharpened by grief, softened by motherhood, and powered by a stubborn belief that stories (if they are honest) can save something in us. Maybe even the best part.  

Her Legends of the Vale series began with a dare. This was not from a publisher or critic, but from a friend. Phillip, one of two men who served as creative catalysts in her life, challenged her to leave historical fiction behind and build a world entirely her own. The result was Child of Dawn. 

Book I: Child of Dawn

It begins with a boy by the name of Dagsbrun who shouldn't exist. He is half vampire and half elf, raised in exile, and feared by both tribes. He longs for peace but carries hunger in his blood. Then, along comes Anda - fiery, unstable, and unknowingly bound to him by prophecy. Their collision sparks not just a romance, but a rebellion. For readers, this is where it all starts. The heartache. The hunger. The hope that maybe even broken things can save a world. Dagsbrún is not just a protagonist. He is Leslie’s reflection, shaped by doubt and defiance. He dares to belong, and that alone is revolutionary.  

 

Book II: Silken Waters

If Child of Dawn is about claiming identity, Silken Waters is about the uneasy weight of peace. The story pivots to Rennault, a vampire pirate forced to navigate fragile truces and unexpected allegiances. The political tension pulses beneath the romance, but what lingers is the moral ambiguity: What do we owe to the world we helped break? This second installment is darker and more introspective. It reflects a Leslie shaped by experience motherhood, loss, and the quiet knowing that not all wounds close cleanly.  

With every book, Leslie didn’t just build a world; she built a brand. Book signings, speaking gigs, and screenplay adaptations are all steps that became a brick in the business of being Leslie Anne Lee.  

Book III: The Ashwalker

What was supposed to end the series only deepened it. Grieving the loss of her creative partner, Hunter, Leslie split one final book into two. The Ashwalker becomes the most emotionally charged installment yet. Power surges. Old myths fracture. Buried truths rise with teeth. A mysterious girl with no past. A betrayal no one saw coming. A pivotal question echoing across realms: Can legacy be rewritten, or does it always burn down the house? This is Leslie writing on the edge of grief and love, and it shows.  

The Writer Behind the Worlds

She began making books before she could fully spell her name, dictating stories to her mother, illustrating them with crayons, and stapling them into shape. In high school, she skipped class to write in the library. She still writes that way from instinct, from grit, from a place that doesn’t ask for permission. Yet, for all her boldness on the page, Leslie still wrestles with doubt. “You learn how to argue with it,” she says. “When we are first starting off, it wins more. However, as time goes on, we learn how to fight back.”  

She never set out to write fantasy. She didn’t know "romantasy" was a genre. When someone suggested she adapt her novel into a screenplay, she did not hesitate. She taught herself. Wrote the script. Figured it out. This is what Leslie does.  

A Woman. A Mother. A Force.

In the publishing world, Leslie is used to being underestimated. She comes from a conservative town where film and writing are still male dominated pursuits, but she doesn’t back down. Not when the odds are long and the room is full of gatekeepers. “I don’t expect them to believe me just because I say it. I prove it.” She teaches her daughter the same lesson: the world won’t always make space for you, so you make space for yourself. When her eleven-year-old son says he wants to be a writer like his mom, she lights up-as that is the kind of legacy that matters.  

The Characters She Carries 

Dagsbrún is more than a protagonist. He is Leslie's first true mirror on the page. A hybrid caught between worlds. A quiet boy with sharp instincts and invisible weight. He isn’t flashy. He doesn’t scream. He endures. Anda, his counterpart, is chaotic, intuitive, dangerously magical. If Dagsbrún is restraint, Anda is release. Together, they form the tension Leslie knows well: the need to protect versus the desire to unravel. Rennault, the pirate from Silken Waters, is a man trying to be good in a world that rewards cruelty. Leslie understands him too. These are not archetypes, but rather emotional truths in disguise. Dagsbrún’s self-loathing. Anda’s explosive longing to be seen. Rennault’s quiet guilt. Each one holds a mirror to the reader’s own hidden ache.  

The Creator

Leslie Anne Lee doesn’t write to be liked. Leslie writes to earn it, and she does. With stories that bleed, characters who whisper your secrets, and worlds that feel like they have always existed just waiting for you to find them. Her latest book, The Ashwalker, is out now. If you’ve ever felt like an outsider, or longed for magic that doesn’t require permission, start at page one. Leslie will meet you there. For aspiring writers, Leslie often shares behind the scenes looks at her writing process and upcoming events on her website - making her not just an author, but a mentor in plain sight. Her path is not paved with formulas. It’s carved by showing up. Writing anyway. Learning out loud. For anyone dreaming of a writing life, Leslie’s journey offers a blueprint rooted in guts, grace, and green lit grit. For more on upcoming events, book signings, or her film adaptation in progress, visit: www.leslieannelee.com  

Lauren Henry Brehm: An Artisan Healing Through Her Art

Composed By: Cindy Mich

Lauren Henry Brehm is an author, former special education and English teacher, linguist, songwriter, speaker, and advocate. Her work explores the intersections of family, neurodivergence, mental illness, and survival with honesty, empathy, and clarity. I appreciate her willingness to speak with me.

How about we begin with a report on how your most recent book signing went. Has the overall audience for your creations changed over time as far as demographic or definitive age?

I have done some book signings at the Fairbanks Barnes & Noble, both for The French Court and my memoirCody: The Extraordinary Life of an Ordinary Dog. What I found is that when I am able to talk to people about the books, they are always intrigued. Most of the people I speak with are women, though the men that stop to talk are equally interested.

Throughout the course of your lifetime, you have been a world traveler. Please share with my readers some of the most stunning places you have visited in the past. 

My favorite world city is Florence. We in the U.S. tend to reject things that are old. Our own history is very recent. In Florence, the old and the new live side by side. I stayed in a small hotel in the historic district during a study abroad program. My window looked out on a small courtyard. Backed up to the same courtyard was Dante’s home! When I was a grad student in Italian Studies at Florida State, I specialized in Italian Renaissance Art and Architecture. I couldn’t go for a walk in Florence without seeing signs of Florence’s past. I love seeing how centuries old features are incorporated into modern designs rather than tearing them down. 

Living in China was a new discovery every day. I was fascinated by the differences in our cultures. At the same time, being in a place that was so foreign emphasized to me that we are all much more alike than we are different. We all want the same things out of life: to be safe, happy, and unencumbered by burdensome demands. We want to raise our children to lead happy, healthy, productive lives. Seeing the things we all have in common, rather than focusing on all the things that are different, helps me to feel greater kinship with others.


During your stops, were you able to use any of the Italian you learned?

I have been blessed with a good ear for accents, both onstage and in language study. Most of the people I spoke with in Italy assumed my parents were Italian and that I had grown up hearing the language, even though I was never quite fluent. Of course, my ethnicity is Mediterranean, so I look as if I could be Italian. As a grad student, I was able to teach Elementary Italian at FSU, so I had lots of opportunities to practice my own language skills.


Although your birthplace was Long Island, you now live in Alaska. As I am aware of your studies pertaining to special education, I have a question specific to your area. I have read there is an educational crisis in your state that surpasses finances alone. Do you have any insight on this topic?

I wish I understood why Alaskans are so reluctant to invest in education. The culture here is very little “L” libertarian. People want to be left alone to live as they choose, and are willing to leave others alone to do the same. They tend to be individualists. That seems to translate into not wanting to pay for things that others enjoy if there is no benefit to the individual. That includes things like education. Alaskans don’t seem to recognize that good schools are an investment in Alaska’s future. 

I am aware of your struggles from a mental health standpoint, i.e. depression and suicidal ideation. Can you discuss the ways in which you more competently coped with these challenges over time? As this can be a genetic issue, do you ever fear that your children or grandchildren may inherit these struggles?  

I don’t think it matters whether mental illnesses are passed on genetically or environmentally, since the outcome is the same. My daughter is forty. She struggles with anxiety and ADHD. She underwent a traumatic incident and has been in therapy to deal with that for the last few years. The bad news, of course, is that I couldn’t protect her from developing those problems. The good news, though, is that she learned how to seek help. I hope I modeled that behavior for her.

Therapy for me has been life-saving. I have also come to recognize that healing is a process. There is never going to be a point where I can say “I’m healed.” My mental health will always be a work in progress.


Does writing about or willingly speaking on your mental health publicly ever become too invasive or overwhelming in nature? 

I have to admit that I didn’t realize the extent to which I was exposing myself in my writing. I focused on telling the stories honestly. It wasn’t until after readers and reviewers started offering feedback that I saw how emotionally naked I was. I write as if I’m telling a story to a friend, so I don’t censor my writing as too personal.

 

Studies have shown that art can serve as a lifeline for some. In your case, you have chosen to be an author, public speaker, songwriter, teacher and now jewelry creator. Do you create so as to make sure you do not remain stuck in darkness?  

In terms of healing, I think songwriting is the art that is most soothing to my soul. My first songs were written for specific people. Music became a way to express my feelings, especially gratitude for what other people have brought into my life.Another therapeutic value of art is that I can lose myself in the process, whether it’s sewing, stained glass, or jewelry making. I can forget whatever might be upsetting in my life for a couple of hours and simply concentrate on creating. The irony is that by not thinking about something for that period of time, I often find solutions by the end. I think I’m so focused that the work causes a kind of meditative state, clearing my mind and helping me to see situations more clearly.


Purple Wolf Designs serves as your platform to share your passions. Please discuss the choice to make chain maille jewelry, as I had never heard of this before interviewing you. 

The wolf is my spirit animal. Wolves are known for family devotion and as teachers. I also tend to function as a lone wolf: staying on the fringes and learning from observation. I have a tattoo of a wolf howling at a purple moon. That image was the source for my business logo.

Most of my crafting tools were in storage from 2012 to 2019. I decided to explore chain maille because it requires minimal equipment, so I could do it without duplicating tools I already owned. I love playing with color and symmetry. Chain maille allows me to do both.


Did you select this brand name due to the color's association to mental health?

Purple has been my favorite color since junior high school. I often joke that purple is the color of royalty, creativity, and insanity. I’m not royal, but two out of three ain’t bad!


Your most recent book, The French Court: Essays From One Family’s Legacy of Mental Illness, deep dives into OCD and the shadows it sets upon your family. I am sure readers would love to hear more about the synopsis.

The French Court tells the story of my grandmother’s untreated OCD. Her husband, my grandfather, was unable to stand up to her and refused to indulge her distorted view of reality. He was also unable to protect his daughters, my mother and aunt, from her. She was able to force her family to carry out her compulsions. One psychiatrist labeled it “OCD by Proxy,” which is not a variation in the DSM-5. The fact that Grandma’s disorder was so unusual was a primary motivation for describing it in print. The net result was that the family created a “French court” to serve Grandma’s delusions that her behavior and routines were merely a variation on normal rather than a mental illness. The first two generations of her descendants have all been affected by that choice. Even by the third generation, at least half of her descendants have some form of mental illness or addiction.

How is the book being received by readers at this point?

The feedback I’m getting says that people are becoming aware of how mental illness in one generation tends to have effects on subsequent generations until someone is able to break that cycle. Often all it takes is the courage to speak up and label “quirky” behavior as a mental illness. The effect it seems to have is to show people that it’s okay to speak up. It’s okay to reject familial patterns that are unhealthy. It’s okay to choose mental health.

More information on Laura is available at: Purple Wolf Designs 

3. Might I be able to ask about your husband Dan – does he have the same creative passions as yourself?  How has he helped to make you stronger or perhaps even more sane?  I can only imagine the trauma and terror involved with the type of abuse you endured. 

My husband Dan served thirty-three years in the Massachusetts Fire Department as a Fire Lieutenant.  During that time, he had also served thirty years in the United States Army National Guard, from which he ultimately retired as a First Sergeant. As my most rigorous critic, and my number one fan, he has helped me to become stronger in all that I do.  His wonderful support has helped to fuel my emotional freedom and to create my own path forward.  He is very creative and, though behind the scenes, he is the force that pushes me to continue my mission of being a voice for those who have suffered.  Yes, sometimes he is even more sane, but we have both learned how to pull back the reins when necessary.  Once I learned and better understood that the abuse I had suffered as a child, wasn't my fault, it was then that I was able to begin balancing my life, and now those earlier reins hardly ever have to be pulled back.  That onetime imbalance I had felt for so long started to level itself out, where I felt emotionally free and in better control, allowing things into my world that only served me.  

4.  I saw that one of your feel-goods is food, aka home-cooked goodness.  It has been said that certain diets can affect brain function.  Have you catered your nutritional intake in consideration of this fact?   

Yes, I really enjoy cooking and baking.  In many ways, this process of creating something delicious that I am good at in my kitchen has turned into a therapeutic form of release and healing, just like gardening has also become for me.  I like to see things develop from scratch and become how I had envisioned… to be able to see, for example, how planted flowers in the spring start to bloom by summer.  That is truly exciting and freeing for me.  The same release applies for when I am cooking or baking; working with food in its rawest form.  It is such a warm and amazing feeling I get when I create a beautiful meal, and yes beautiful as it is delicious.  So, when I sit down to savor what I have made, like with baking, I enjoy the smell that fresh baked goods create. I especially enjoy sharing it all, which is the other part of this exciting process for me… when I invite family and friends over for a gathering.  I so enjoy serving everyone and making sure this shared moment together means something to everyone.  I also believe in healthy eating and portion control, where I cook balanced meals.  I eat to live.  I don't live to eat.  

  

5.  In broad terms, your book Shayla, tells the story of a trapped child – manipulated by a predator.  Please, in your own words, tell us a short summarization of the story arc.  Further, the title is rather interesting, and one meaning for the name Shayla is "little mountain."  Was this why you chose this salutation? 

When I was very young, I loved being outside gardening with my father who was a farmer.  I ran through the fields and I loved picking flowers for my mother's table.  During and after the abuse I endured at the hands of the priest, I would often hide in the woods where I imagined the birds being my pets, the trees and the wild flowers were my garden, and I was a fairy fluttering through it all… my imaginary safe world.  My part of the island was a great big mountain that could be seen from anywhere on the island.  I used to look at this mountain called Pico which is the highest mountain in Portugal, and I remember feeling so tiny in comparison to that giant mountain.  I remember in conversation with my mom one day, she could not pronounce the name, Sheila, and would instead say, Shayla.  I enjoyed that moment with my mother so much.  It was 2014 when I had visited her in her late eighties.  That day, I told myself that I would name my next pet Shayla because I just loved how this was my mother’s way of saying Sheila.  Shortly after this time, in 2015 after having a vivid flashback of my abuse, I decided that if I ever wrote a book about my experience, I would call it, Shayla.  Now here we are.  Thanks Mom! 

Funny that you mentioned the meaning of the name Shayla… I looked it up today and not only does it mean ‘little mountain,’ but it also means fairy home/palace.  Wow!  I find this to be an amazing fluke.  Considering that as a child while running through the woods, I felt as if I was small mountain in a fairy world. 

 

6.  I am told that when one writes of personal experience, it likely could lead to either further trauma or desensitization.  Did the book affect you negatively, and was there any thought that perhaps your audience may be triggered by your words?   

Writing my book, Shayla, did not affect me negatively.  Actually, it had a beneficial contrary effect.  Just writing about my past was a healing experience in itself.  It taught me about self-awareness and self-love, in terms of recognizing the power I still had within myself that I would make this discovery through the cathartic process of writing my book.  It brought me peace of mind and helped me blossom into the emotionally free person that I am proud to say I am today. I learned that by practicing self-love techniques, this created confidence and empowered me to become a voice for children and adults who are still suffering from trauma they had endured as children, teens, or young adults.  My book’s message is powerful and I make it clear to my readers that even though Shayla may create triggers for some, my greater message is to teach those affected by similar trauma that my book is about healing, self-love, and practicing the survival techniques that I have found worked for me… and I trust will also work for others.  My passion is to create a movement where all people can retire their ‘victim badge’ and join me in proudly wearing their ‘triumph badge,’ instead. 

  

7.  Within the book, your main character struggles with physical and psychological wounds, anger, fear, and sadness.  How much of this emotion was saved solely for your creation, or was this direct from your own heart?

 Every word or phrase in Shayla is a direct message from my heart.  In this book, next to writing about the traumatic events of my youth, I also wrote about what I did to become free of the emotions that impacted my growth… such as self-doubt, anger and sadness.  As part of doing my own self-work, and before I could discover my actual freedom, I had to look in the mirror several times and say:  Self, it wasn't your fault.  You were a beautiful child and a victim of abuse.  A very bad person made poor decisions that resulted in years of pain and suffering for you.  You are now still a beautiful child, turned into a beautiful adult healed woman, and you are enough! 

  

8.  The book itself was listed on Amazon as the #1 new release in Teen and Young Adult Nonfiction on Sexual Abuse.  Are you finding that your target audience has become adolescents and millennials?  Might I ask about your father's reaction to this reading? (assuming he is not deceased)? 

As my book was recently published, it’s still a bit too early to know who my most prominent audience will be.  However, as I had mentioned before in this interview, my message of strength, power, and encouragement, is for all people who have suffered from abuse and trauma… And as well, this absolutely further includes all people raising children, the parents.  My book is also for them to learn from and pay attention to the ‘signs.’  It is important for me to keep creating this awareness about looking out for signs coming from children who may be in distress and who simply don’t know how to speak out.  If you come across a child, perhaps your own, who appears to have been victimized, they need comforting and reassurance the most from people they trust. 

My father has been deceased for my years.  In my book, as part of my healing and release process, I wrote a spirit letter to him, detailing for the first time, his first awareness, all of what had happened to me when I was a young child at the hands of the priest, the trusted community figure he had pushed me onto for music lessons.  And these were the repercussions of being handed off to a pedophile.  In this sensitive letter, I also forgave my father and let him know, that despite my earlier suffering, the result of all my hard self-work had paid off and I had grown to become the emotionally free woman I am now.  

9.  You have been selected to take a week-long mission in summer to the Bahamas.  Please elaborate further on your mission there, and how you began your partnership with Leah's Hopes and Dreams.   

While I appeared as a guest on the podcast, ‘Rise and Thrive together,’ I had learned about this inspirational organization called, ‘Leah's Hopes and Dreams.’  I immediately felt a connection and strong desire to be part of this vital group, especially because their main focus is all about helping the less fortunate.  So I reached out to them and made myself available to participate in their upcoming summer mission to the Bahamas.  I look forward to joining them in delivering love and giving back to those in need. 

  

10.  Is there another book on the horizon, or perhaps a film in the works? 

Yes, I actually have two more books on the horizon that will complete my ‘Tell-All Trilogy’ book series, of which Shayla is the lead book.  These other books are centered around two individual women, separate and apart, though tied to Shayla at later periods of her life.  These two women have also suffered a great deal… as revealed in the two books, in their own respective stories.  If only the parents of these women had known to look for signs of their own daughters, also in distress, their suffering (as with Shayla) could have been prevented. 

Before I began writing Shayla, I wrote down two main goals:  

1)     My book will help me and many other women to become emotionally free. 

2)   My book will become a big screen movie. 

A calling and a movement dedicated to survivors of abuse, Shayla already reads like a movie (an incredible story that should never happen to young girl, and yet it did, and must be told)… Hollywood, are you listening?  

For more information, visit: https://www.lafrancemedia.com 

Regina LaFrance is a survivor of childhood abuse who chose to use pen and paper as a help for healing. Read below to learn more.  

1. You are originally from Portugal, which I understand is one of the most affordable and safest countries in the world.  It is also full of folks who are incredibly polite.  Hence, how do you end up leaving that for North Carolina? 

I totally agree that Portugal is a beautiful country filled with history, gorgeous landscapes and beautiful weather.  The people are very welcoming and, yes, very polite.  In fact, I am familiar with a group called, "Women Over 50 Moving To Portugal."  I grew up in the 1960's on an island in the Azores where farming and fishing were the main source of work for men.  Women worked at home and cared for their children.  The culture did not allow for women or children to have a voice.  

Have you seen the movie, The Color Purple?  It was a lot like that.  When I was eighteen, I had the opportunity to move to the United States. I took it, and I never looked back.  As it turns out, regions such as California, Massachusetts, and Toronto, Canada are heavily populated with emigrants who originally traversed from the Azores in the 1950s and 1960s.  People growing up in the Azores sixty years ago had only one goal in mind… to immigrate to the United States or to Canada. 

 

2.  I have read that you attended the Fisher College of Business.  Were you able to utilize your studies before becoming a published author?  Have you found that a heavy base of business knowledge can at times interfere with the creative process?    

When I moved to the U.S. at eighteen, I was very focused on achieving certain objectives: learn how to speak English, to learn the culture and development skills that would enable me to support myself and live a good, fulfilled life.  So, I started working in a factory while I attended school at night until I could apply for better jobs and start creating a professional career for myself.  My studies and my relentless eagerness to learn more gave me the knowledge and the empowerment tools to gain the confidence I needed for ultimately writing about my very personal and traumatic journey. This was done in my published debut book, Shayla, which is a semi-autobiographical novel inspired by the real events of my life.  My creative process came from a deep desire within me to create awareness about keeping children safe.  The story in my book, Shayla, is essentially about when the opposite happens and young innocent children are not kept safe.  This is basically what happened to me… the nightmare that unfolded to unconscionable enormity. It is the story of when my parents (who didn’t know better) had forced me to take music lessons as a young girl with our village priest, who was a trusted community hero. I would quickly discover, at the price of being deflowered too young, that he was actually a monstrous pedophile.  So yes, my message to the world is quite strong and protective of those voiceless ones who have suffered from similar trauma as children. 

Harris Kligman

Harris L. Kligman embarked on his writing odyssey from his home in North Stamford, CT. For an entire decade, this unassuming abode served as his creative haven, fondly referred to as the "downstairs dungeon." Within these unpretentious confines, he diligently labored amidst Spartan surroundings—a bare floor, a rickety chair, and an aging Windows desktop PC that Microsoft had long forsaken in terms of updates. Harris Kligman's storytelling wellspring drew from a deep reservoir of life experiences, including his globe-trotting adventures, an extended residence in South Korea spanning four and a half years, and a twenty-year tenure as a Reserve Military Intelligence officer with the United States Army. In sum, Kligman's literary repertoire boasts an impressive collection of approximately eleven novels, five children's stories, and numerous short stories, each contributing to his literary legacy.

​As 2024 unfolds, the literary treasures cultivated during those ten years in the "downstairs dungeon" persist in captivating audiences worldwide. Fresh titles, including "A Woman To Die For," emerge to enrich the literary landscape, promising more captivating stories and enduring narratives for readers to savor.

Listen here for our interview: Interview with Rob and Harris Kligman