Author Mikey Tableman: A Courageous Creative 

Mikey Tableman dreamt of disappearing — into characters, into crowds, into any version of himself that didn’t feel so heavy. He moved to LA to become an actor, to chase the lights, but it was the darkness that taught him who he really was. He found success early in Los Angeles — not on a stage, but in the shadows of nightlife and festivals. He became the guy who could light up a room, facilitate unforgettable experiences, and make people feel like they belonged. Behind the scenes, Mikey was drowning in addiction, anxiety, undiagnosed mania, and a relentless need to prove he was worth something to others and to myself. He would go on to build the non-profit, A Mind’s Pursuit, to be a space to speak the truth out loud. He would serve as a co-host of Chaos Controlled, an unfiltered podcast with actor/advocate Danny J. Gomez. Most recently, Mikey penned My Manic Maze, the poetry-driven memoir and spoken word EP that walks through the storm. Flattered to be conducting this chat. 

Let's start off with something very significant: September is Suicide Prevention Awareness Month. Could you share with readers how you believe they can be helpful to others struggling with these thoughts? Further, do you believe there are some misconceptions that society holds about those with mental health issues? 

The biggest thing I can do is share my story. I have lived through suicidal thoughts, and I have been in places mentally where I genuinely could not see a way out. I talk about those moments openly because I want someone who is sitting in that darkness right now to see that they are not alone. Sometimes we think our struggles make us different or that nobody could possibly understand what is happening inside our head. However, the more open I became about my own mental health, the more people I met would say, “Me too.” That is why I believe conversation is such an important part of prevention. According to the latest national data, 14.3 million American adults reported seriously thinking about suicide in 2024. That is roughly one out of every eighteen adults. When something is affecting millions of people every year, we cannot continue treating it like something we are supposed to whisper about. 

There are still massive misconceptions surrounding mental health and suicide. One of the most damaging is this idea that talking openly about suicide somehow encourages it. I believe the opposite: silence allows people to believe they are alone in what they are experiencing. We need to be willing to ask difficult questions, listen without immediately judging or trying to fix someone, and take people seriously when they tell us they are struggling. Mental illness is illness. We would never tell someone with another serious illness to simply toughen up, think positively, or be grateful for what they have. Yet, we still do versions of that with mental health. We have to stop treating a struggling mind like a character flaw and start giving it the same compassion, attention, and seriousness we would give any other part of the body that is hurting. That is a huge reason why I created My Manic Maze and why I continue telling my story. I cannot promise that sharing my experience will save somebody, but I can make sure the person hearing it knows that someone else has been there, that someone understands, and that there is no shame in asking for help. Sometimes simply knowing you are not the only person fighting that battle can be the beginning of believing that the battle is worth fighting. 

 

Outside of all the fabulous artistic endeavors you engage in, your day job finds you acting as Director of Skydeck Operations - which means you oversee some of the best festivals in operation today. Can you break down some of your duties for us, and has this position helped you with your other professional endeavors?  

On paper, my job as Director of Skydeck Operations is overseeing a lot of moving parts; teams, logistics, hospitality, operations, guest experience, and making sure all of those pieces come together across some incredibly large-scale events. Yet, I have always looked at my job a little differently. My job is to help create experiences that people will remember for the rest of their lives. The world can be hard, and for those few hours or few days, we get to create this almost alternate world where people can leave some of that weight at the door; be present, connect with each other, and let music be at the forefront. Music can be incredibly healing, and there is something powerful about watching thousands of people who may have completely different lives outside those gates share the same moment together. 

A huge part of my job is also people. In an environment with that many moving parts and that much pressure, it can become very easy to look at people as positions instead of human beings. I try to really see the people around me, especially our staff. I know what that pressure feels like, and I think leadership has to include understanding that there is a human being underneath the radio, the credential, the uniform, or the job title. Learning how to connect with people, how to listen, how to lead different personalities, and how to bring people together around one shared experience has influenced almost everything else I do. Professionally, the education I have received from being around organizations operating at this scale has been invaluable. I have watched incredibly talented people and massive companies take hundreds of moving pieces and turn them into one cohesive experience, and I am extremely grateful for everything that has taught me. I am applying so much of that knowledge now as I build A Mind’s Pursuit and its different creative platforms. On the surface, a festival, a nonprofit, a live spoken-word experience, and a media platform might look like completely different things. Underneath, I am still building ecosystems where a lot of different pieces have to connect around one purpose. Skydeck has taught me how to see the entire machine while never forgetting that the machine is made up of people. 

  

You have been incredibly open about your struggles with mania, suicidal ideation, anxiety, addition and ADHD, and I admire this. Is today's current climate exacerbating any of these conditions? Further, how do you ensure that you keep your mental health as a priority when you are juggling all your artistic endeavors? 

I absolutely think today’s climate is exacerbating a lot of these struggles. There is so much division, anger, and uncertainty around us. Everything is expensive, people are working harder just to survive, and half the time we do not even know what to believe anymore. You open your phone and it can feel like the world is falling apart in real time. We are absorbing all of that while still being expected to go to work, pay our bills, take care of our families, chase our dreams and somehow remain mentally healthy through it all. I also think there is a real psychological disconnect happening for a lot of people right now. We did what we were told to do. Get an education. Work hard. Save your money. Build a career. Be responsible. Keep pushing. Those were supposed to be the steps toward stability, yet so many people are doing all of those things and still feel like they cannot get ahead. You can work harder than you ever have, make more money than you ever have, and somehow still feel like you are falling behind. That does something to you mentally. It can make you question yourself because you think, “I am doing everything right, so why does it still feel like I am losing?” I think we need to acknowledge how emotionally exhausting that is instead of convincing people that they simply are not working hard enough. 

I wish I could say that because I talk openly about mental health and have done so much work on myself, I have figured out some perfect way to manage it. I have not. I still deal with anxiety. I still deal with depression. There are still days when my mind gets the best of me. I journal, I work out, I build LEGOs, I find things that allow my brain to slow down and be present, and all of those things help. I also think it is important to be honest and say that sometimes those things are not enough. Sometimes you can do all the things you are “supposed” to do and still have a difficult day. What has become incredibly important for me is the people around me. I lean on my team, my friends and the guys with whom I have built this next chapter of my life. We are all trying to navigate this crazy world together, and having people who know me well enough to recognize when I am starting to spiral keeps me grounded. Sometimes taking care of my mental health is not some profound wellness practice. Sometimes it is grabbing coffee with a few of the boys before we film an episode of Conversations With The Boys, laughing about absolutely nothing important, and realizing afterward how much I needed that. Those moments fill my soul. They remind me that mental health is not always about fixing yourself. Sometimes it is about connection, being around people who allow you to be yourself, and not having to carry everything alone. 

 

You hosted the podcast, Chaos Controlled, for three seasons, and I read that your new host is none other than RJ Mitte (who I adore). Please share more about the topics discussed on this show, and why you selected RJ to become a host. Additionally, your new show, Conversations with the Boys, centers around discussions on male mental health, stigma and personal struggles. Who can we expect to see as future guests? 

Chaos Controlled will always have such a special place in my heart because it was really the first piece of what eventually became the A Mind’s Pursuit ecosystem. It is definitely bittersweet stepping away from the host chair after three seasons. What originally started as more of a nightlife and entertainment podcast grew into something much bigger. At its core, the goal became humanizing people. We have had these incredibly successful people with huge careers and followings sit across from us and talk honestly about anxiety, insecurity, addiction, failure, relationships, mental health and the things happening behind the version of themselves everyone else sees. I love breaking down that wall because success does not make you immune to struggle. Sometimes hearing someone you admire say, “I struggle with this too,” makes you realize that maybe you are not as alone or as different as you thought you were. 

We absolutely love RJ and the entire Mitte family. They have been such a blessing to us, and RJ has been involved with what we are building for a while, so bringing him in felt very natural. However, one of the biggest factors for me was his relationship with my co-host, Danny J. Gomez. Danny is the heart and soul of Chaos Controlled, and as I started thinking about stepping away from hosting, I needed whoever came in next to understand that and to see Danny for the special human being he is. RJ and Danny already have a longtime friendship, so there is a genuine comfort and chemistry between them that you cannot manufacture. Danny’s blessing mattered tremendously to me, and when he was excited about RJ, I knew we had the right person. I am still involved as Executive Producer, so I get to watch something I love continue to grow while also giving it room to become its next version. 

Conversations With The Boys is another project that has become incredibly special to me. We are creating a space where men can have the conversations we often avoid—mental health, masculinity, relationships, identity, addiction, purpose, failure, friendship, faith and the pressure of trying to figure out what being a man even means today. We have already had some amazing guests, and the upcoming lineup continues to expand that conversation. We have actor Jamel King from All American, influencer, dancer and reality personality Roman Royale, WWE announcer Mark Shunock, author Billy Hanson, and several other surprises coming from the worlds of professional sports and entertainment. What excites me most is that we are not looking for one type of man or one definition of success. I want different backgrounds, different perspectives and different experiences sitting at that table, because the more honest and diverse the conversation becomes, the more men watching can hopefully see a piece of themselves in it. 

 

Your nonprofit is entitled A Mind's Pursuit, and how does your charity differ from those who serve the mental health community? How did sobriety help shape your journey towards entrepreneurship? 

What makes A Mind’s Pursuit different is that we are not trying to be a traditional mental health organization. We are not doctors or therapists, and we are very intentional about that. Our lane is life experience, creativity, entertainment and culture. I believe there are incredible organizations doing important clinical work and providing resources, but there is still a huge gap between someone struggling and someone being willing to say, “I need help.” That gap is where I believe AMP can make an impact. We want to change the way people talk about mental health before they ever walk into a therapist’s office. Sometimes that starts with a poem, a podcast, a live event, a conversation between friends or simply hearing someone else tell the truth about what they have been through. That is why everything under AMP can look completely different on the surface. My Manic Maze uses spoken word, music, storytelling and live performance. Conversations With The Boys puts men around a table and creates space for conversations we have historically been taught to avoid. Chaos Controlled humanizes successful people by showing what exists behind the accomplishments. Our live experiences bring those worlds together and allow people to connect in person. They are different vehicles, but they are all driving toward the same destination: making conversations around mental health feel normal, accessible and human. We are trying to meet people where they already are rather than waiting for them to come looking for us. 

Sobriety changed everything for me because it forced me to stop escaping. For a long time, if something hurt, I knew how to numb it, avoid it, outrun it or bury myself in work. Getting sober took away one of my biggest escape routes, and suddenly I had to sit with myself. That was uncomfortable, but it also gave me clarity. I started understanding my patterns, my mental health and the reasons I had been running so hard for so long. I also realized that so much of what I had lived through could either remain something that happened to me or become something I did something with. Sobriety gave me the clarity and discipline to start turning those experiences into purpose. It helped me build My Manic Maze, grow A Mind’s Pursuit and surround myself with people who believed in the same mission. I do not look at entrepreneurship now as simply building businesses or projects. I look at it as building an ecosystem around purpose. I spent a lot of years trying to escape my own mind. Today, I am building something that I hope makes it a little easier for somebody else to live inside theirs. 

 

It is not often I meet someone who created a memoir (My Manic Maze) that is also in spoken word EP format. Was there a specific reason you released this in two formats? Did you learn anything about yourself while creating this written chronicle? 

My Manic Maze really became a multi-format project organically. It started with the spoken word pieces and performing them live. After shows, people would come up to me wanting to know more about what happened before that piece, where that feeling came from, what happened afterward. I realized the poems could make someone feel something, but there was an entire story behind them that I had an opportunity to tell. That is where the memoir really came from. The EP became seven pieces centered around different parts of my mental health journey depression and mania, imposter syndrome, ADHD, anxiety, addiction, suicide, and ultimately self-forgiveness and acceptance while the memoir gave me the space to tell the stories and experiences behind those moments. Then there is the live experience, which has become another component entirely. Hearing a track through headphones is one experience; seeing me stand in front of you and perform those words is something completely different. There is music, visual storytelling and production around it, but ultimately it is a human being standing on stage saying some incredibly vulnerable things out loud. The response to that has been one of the most meaningful parts of this entire journey. People come up afterward and tell me which piece felt like their story, or share something they are going through that they may not have felt comfortable saying before. That is when I realized My Manic Maze was not just a book with an accompanying EP. The book, the music and the live experience are different entry points into the same story, and each gives people a different way to connect with it. Writing the memoir also forced me to look at my own life differently. When I started putting everything down chronologically, I began seeing connections I had never noticed before. I could see patterns in my behavior, the ways I was coping, the things I was running from and how one chapter of my life was affecting the next. There were things I had spent years blaming myself for that I could finally look back on with a little more compassion and understanding. 

I think the biggest thing I learned is that healing does not require me to rewrite my past or pretend I am grateful for every painful thing that happened. Some of it was awful. Some of it I wish had never happened. Some of it was caused by other people, and some of it was caused by me. But it is all part of my story. Creating My Manic Maze taught me that I can acknowledge all of those versions of myself without having to hate any of them. I cannot change the kid I was, the mistakes I made, the things that happened to me or the places my mind took me. What I can do is decide what I create from all of it now. 

 

Looking towards the immediate future, what are some of your personal goals? 

The immediate future feels incredibly exciting because so many of the things we have spent years building are starting to come together. Personally, I would love to see My Manic Maze recognized by the Recording Academy and earn a Grammy nomination. Of course that would be an incredible personal achievement, but what excites me even more is what that kind of platform could do for the message behind the project. If a body of work about mental health, addiction, suicide, anxiety and healing can reach a stage like that, then the conversations we are trying to create get that much louder. Beyond that, my focus is continuing to expand A Mind’s Pursuit and taking Conversations With The Boys on the road so we can bring these conversations directly into communities, colleges, companies and live audiences. The bigger dream is building the AMP campus, a physical home where creativity, community, mental health, media and live experiences can all exist together. I want a place where people can create, have conversations, find connections and feel like they belong. Ultimately, though, all of those goals are really one goal. Whether it is a Grammy stage, a Conversations With The Boys tour, an AMP event, a keynote, a book, a podcast or eventually our own campus, I want to keep finding bigger and more creative ways to further the mission. I want to help make talking about our minds as normal as talking about our body. 

 

What are some of the best ways folks can stay in touch with you directly? 

The easiest way to stay connected with me directly is through social media. I am very active on Instagram and try to share not only the projects and performances, but the real journey behind all of it, the good days, the difficult ones, the creative process, and everything we are building. You can also follow A Mind’s Pursuit and Conversations With The Boys to keep up with our events, new episodes, live shows and everything happening within the AMP world. If you really want to get to know me and understand the story behind all of this, listen to My Manic Maze, available now on all streaming platforms, and check out the memoir as well. I genuinely love hearing from people who connect with the work, especially when someone shares how a poem, conversation or story made them feel a little less alone. At the end of the day, that connection is why I am doing all of this. More information on Mikey is here:  A MINDS PURSUIT 

WRITER VERONICA REYES

Veronica Reyes-How is an award-winning writer based in NYC. A graduate of the University of Michigan with a B.A in Mathematics, she left a career in technology consulting to pursue acting when an open-call audition resulted in her booking the national tour of Rent. Her indie tv series ‘Mother, May I Have a Kidney?’ had its world premiere at The Tribeca Film Festival. She is also a Sesame Street Writing Fellow 2023. Her 1-hour medical drama, American Doctor, based on the life of her mother, was part of The Writer’s Lab in 2025. Her 1/2-hour comedy Emotional Support is a 2021 Screencraft Comedy Semifinalist.

I had the pleasure of sitting down and speaking to Veronica while at Tribeca Film Festival. Such an amazing discussion. To listen to our interview, use the link: Interview with Writer Veronica Reyes-How - Tribeca FF 

ACTOR/ARTIST JEFF CLARK JR.

Jeff Clark, Jr. is a SAG-AFTRA actor and Emmy nominated art director originally from Penns Grove, NJ. His theatrical training started in NYC at Sanford Meisner's school, the Neighborhood Playhouse where he studied under Gary Kingston and Richard Pinter. Jeff is best known for his principal roles on Law & Order, Law & Order: Organized Crime, and Godfather Of Harlem. More recently, Jeff was selected for Jason Alexander's five-day masterclass at the Lighthouse International Film Festival. The training was followed by a live performance at the Surflight Theatre to an audience of over 400 people. Finally, most may not know this – but Jeff creates artwork that has been selling to folks all over the fifty states. Thrilled that we got to chat. More details on Jeff are here: Jeff Clark, Jr. | Actor

Watch our interview here: https://www.youtube.com/@sandyb1ful

Author/Journalist Nicole Sade 

Nicole Sade’ is an author, blogger and award-winning journalist. Her luxury lifestyle blog inspires, uplifts, and encourages women with fun and relatable content centered on culture issues, relationships, careers, mental health and wellness and success stories of millennial women of color. She then wrote her first novel, No Room for Trust. She has also written for several publications including Birmingham Times, Reckon South, Forty Magazine, Red Pash Magazine, CampusLately and more. Truly an educational experience doing this interview. 

 

You are based in Alabama, which I realize is best known for elements such as civil rights legacy, rich history, agriculture and space exploration. This would lead one to believe that the art element is less significant - so can you speak on that a bit?  

Being based in Alabama is actually one of the most inspiring parts of my work. While the state is often recognized for its civil rights legacy, history, and even agriculture, what people do not always see is that art is woven into all those things. Storytelling is our art form here. From writers and poets to photographers, digital creators, and independent media platforms, Alabama has a thriving creative community; it just is not always amplified on a national level. I think that is where people like me come in. Through my platform and my work, I intentionally highlight voices, stories, and experiences that deserve to be seen. Hence, art is not lacking here; it has just been underrepresented, and I am committed to helping shift that narrative. 

You and I are both award winning journalists. If I were to ask you what your definition of effective journalism is, what would you say? Further, how do you feel that independent media can influence others in a good or negative manner? 

Effective journalism, to me, is rooted in truth, clarity, and responsibility. It is not just about reporting what happened; it is about providing context, asking the right questions, and understanding the impact that information will have on people. As journalists, we don’t just inform, we influence. That’s why integrity is everything. When it comes to independent media, it is powerful. It gives a voice to people and communities that traditional media has historically overlooked. It allows for more authenticity, more cultural awareness, and more direct connections with audiences. Now, with that freedom also comes responsibility. Independent media can influence people in positive ways by educating, empowering, and creating space for honest conversations. On the flip side, it can also contribute to misinformation if creators are not doing the work to verify and present accurate information. It really comes down to intention and ethics. Just because you can say something doesn’t always mean you should - and that is a standard I hold myself to in everything I produce. 

 

I understand that you have taught writing in a classroom setting. How do you feel that you serve to be impactful in that area that differs from your work as a writer? 

Teaching and writing are both forms of storytelling, but the impact shows up differently. As a writer, I am speaking to an audience that may never meet me, but they feel me through my words. My writing allows me to spark thought, challenge perspectives, and connect with people on a deeper level. In the classroom, it is more direct and personal. I am not just teaching students how to write, but also helping them find their voice, build confidence, and understand the power of their perspective. This is especially important to students who may not have seen themselves represented in the media until now. While my writing creates impact at scale, teaching allows me to create impact in real time. Honestly, that is something I don’t take lightly. 

 

I saw that you have studied psychology. I imagine that this then allows you to combat misinformation from being fed to audiences, as I realize you understand cognitive biases better than most. How have you learned to protect your own mental health during these tough times?  

Studying psychology definitely changed how I engage with information and the world around me. It taught me that people don’t just believe things because they are true; they believe them because they feel true. Cognitive biases, emotional triggers, and personal experiences all play a role in how information is received. Because of that, I am very intentional about what I consume and what I produce. As far as protecting my mental health, I have learned the importance of boundaries. I don’t feel the need to engage with everything, respond to everything, or internalize everything I see online or in the media. I take breaks, I disconnect, and I pour into things that keep me grounded whether that is my faith, my work, or simply stepping away from the noise. You can’t pour into others if you are mentally drained, and I have made a commitment to protect my peace just as much as I protect my purpose. 

 

Your latest book, Ladies How Did We Get Here, officially released on March 22, 2026. I would love it if you could tell us more about the concept and inspiration behind this writing? Now that you have completed more than one book, has your process and promotion changed at all? 

Ladies, How Did We Get Here was born out of real conversations, real experiences, and honestly, real frustration. I kept seeing patterns of women settling, overextending themselves, accepting less than they deserve, and not always understanding why. This book is about unpacking that. It explores the societal, cultural, and personal factors that have shaped how millennial women approach dating, relationships, and self-worth. This book is not about judgment; it is about awareness and growth. As far as my process, it has changed tremendously. This time around, I was a lot more strategic and intentional. I did not just write the book; I built a plan around it. I have invested more into marketing, advertising, and PR because I truly want this book to reach and impact as many women as possible. The message is too important for it to just sit on a shelf. 

 

Beyond libraries, will readers be able to meet you in bookstores, coffee shops or book festivals? 

Yes, absolutely. I love the idea of creating a vibe where women can come together, have real conversations, and feel seen. Beyond that, I do plan to go on tour. This is not just traditional stops like libraries and bookstores—I want to be in college classrooms, at speaking engagements, and in spaces where these conversations are needed the most. This book is not just something to read; it’s something to experience. 

 

Now that we are more into 2026, what other endeavors will you embark upon? 

2026 is all about expansion for me. I plan to publish another book, continue attending and participating in more events, and position myself in spaces that align with my purpose. That includes being featured on media outlets that allow me to reach broader audiences and have meaningful conversations. I am also very interested in being published in academic and professional journals, as well as continuing to grow within higher education. Teaching is something I’m passionate about, and I want to deepen my impact within that space. Overall, this year is about elevation - elevating my voice, my work, and the communities I serve.

More details can be found here: Nicole Sade’

Author Rachel Martens

Rachel M. Martens is a Wisconsin based writer who penned the Poe gothic thriller series, including Poe: Nevermore (2013), a First Place winner in Chanticleer Book Reviews and Media’s Paranormal Awards, as well as the short horror collection Midnight Hour (2017), the YA romantic thriller Metalhead (2019), and the conspiracy thriller Patriots' Dance (2024).  Her short fiction has also appeared in the anthologies, Twisted Love (2021), Stranger Than Truth (2021), and Anthology of Campfire Stories (2025). We met at Milwaukee Horror Con, and I was thrilled that she wanted an interview.  

I find it fascinating that you are one who does writing in the midnight hours. I say this because it is widely known that the brain is normally at its sharpest in the morning. How do you minimize distractions or defeat fatigue to fuel creativity at that time?

I have always been a night owl and actually do some of my best thinking, especially writing, after dark. I think there is something in the darkness, the quiet, and the solitude that help my brain let go of any of the real-world things it spins with during the day. This allows me to focus on the fictional worlds I write in. Fatigue is sometimes a problem, and if a little caffeinated tea is not enough to fuel me, I accept that whatever I was working on was not ready to come to the page just yet anyway. When the writing is flowing and the scene is right, though, the high of good writing can carry me through all night. About 90% of my most recent book, "Poe: Living Tomb," was written like this in large ten thousand plus word chunks typed sometime between the hours of 4:00pm and 6:00am. 

You have been very open about not posting often on social media. Nowadays, being active on these platforms is crucial to building your brand. Has this choice ever had a negative effect on you as an author?

I will admit to eyeing the number of Amazon reviews garnered by certain Book Tok success stories quite jealously, but not enough to spend more time on social media. All authors would love to be able to reach more readers (me included), but I have found that social media is not good for my mental health and, by extension, my writing. For now, I am prioritizing the writing itself and convention appearances, where I can meet new readers personally and build a cult following from the ground up. Maybe if I can get better at opening up Instagram just for marketing, not doomscrolling, I will start posting more. 

We are both Wisconsinites. From your perspective, does our state offer a great deal of incentives or inspiration for writers as a whole? Secondly, please share some of your favorite events you have participated in here so other writers can attend them.

I absolutely find inspiration here, and I have attended some pretty special events. When I was in high school, a very supportive English teacher took me to the Creative Writing Festival that UW-Whitewater holds for young writers. This was my first experience at a writing conference and my first experience publicly reading a story I wrote. It was a huge deal for me and I highly recommend it. A lot of Wisconsin's communities and small bookstores host local author book fairs, and some of which I have attended with my books. I've also found the many craft fairs Wisconsin offers to be very welcoming to authors looking to sell books. As a horror writer, I had a booth at Milwaukee Horror Con the last two years and really loved that experience. Personally, though, my inspiration comes from the Northwoods, the quiet, clean air and the black skies full of stars. I love traveling for my writing and meeting readers, but real peace grounds me and gives my mind the space it needs to create, and I find that at home deep in the woods here in Wisconsin. 

I often see you credit your husband Jordan for the many ways in which he supports you. Tell us more about him, and also, how he has helped in part to shape you into a more successful professional? 

I could not have asked for a more supportive husband than Jordan. We have been married nine years and have been through a lot together. He is the kind of person who is truly a rock. That phrase gets used a lot, but in this case, I really mean it. Jordan is an immovable object in the face of any and every unstoppable force. Nothing shakes him. I am an overthinker and my brain tends towards worst-case scenario thinking (which is an unfortunate side effect and an asset to writing thrillers). Jordan does not overthink and is amazing at helping me calm down and think clearly, no matter what, which really has made me a stronger person and a stronger professional. He never doubts that I can do something, and when I am really stuck, he helps me work through it. Writer's block, nerves about social situations, procrastination...whatever is dragging me down, he is always there to help cut me free. I bounce ideas off him when I'm struggling with a snag or a block writing, and I credit him with helping me troubleshoot several huge snags in my recent books. He knows how to make me laugh when I need it most and he always believes in me. He travels with me to almost every convention and event I bring my books to, helps me haul all these heavy books around, and sits with me all weekend telling everyone who will listen about these books his wife wrote. He's wonderful and having that kind of support has been invaluable to me, as I am pursuing the kind of career that only works if you commit fully and believe in yourself entirely. I never would have finished "Poe: Living Tomb" without his support. We had a few extremely helpful brainstorming sessions together, coupled with his emotional support and presence in my life. I really can't say enough nice things about him. I love him to death. 

Would you recommend that most writers join a writer's association, and if so, why? Are you also joining the Writers Guild? 

As a generality, I don't put much stock in writers' associations, especially for indie authors like me who often don't meet the membership criteria or only qualify for a lower membership tier that includes less benefits. My perspective on these is that their main benefit is credibility, which can be very important in the old guard traditional publishing world in which writers' associations were born. In the indie publishing world, though, a typical reader doesn't know or care about what associations a writer may be in at the moment. It matters only that they can find your book and get excited enough about it to jump in and read it.  

With that in mind, rather than a writers’ association membership, I focus my networking efforts on conventions and craft fairs. This is where I can interact directly with new readers across the country, and some of whom become diehard fans who buy every new book and recommend it to everyone they meet. Others are valuable industry connections I can secure organically just by being myself and sharing my books with them without any gatekeeping or membership dues involved. I will not namedrop, but by being a vendor at a recent horror convention I had a chance to have a real conversation with and befriend someone who played Ghostface in a "Scream" movie. Now, that new friend has bought one of my books. I cannot make friends like that any other way, no matter what writers associations’ I may join – however, at a convention it’s natural. I have also made connections with indie filmmakers, convention runners, audiobook narrators, graphic artists, podcasters/media personalities, and of course - other writers. I met some incredible people at Poe Fest International, where Poe fans gather from around the world. Maybe there is a value in a membership with groups like the HWA or the Writers Guild, and I may join one or two of those groups someday. For now, I just try to be authentically myself and place my books in the hands of people who will love them. 

Your written work is within the thriller/horror genre, which has been experiencing an uptick in sales. What is it about this type of prose that you appreciate? Additionally, your catalog of books contains one paranormal romance. Might you gravitate more towards this type of writing down the road?

I love thrillers. There is something about the raw emotion and the power that comes from fighting incredible odds alongside the characters that have always called to me, and I think that's what calls to a lot of horror/thriller fans. I love the high stakes of horror, and I love the strength that comes from facing fear and walking away alive and wiser. Even as a little kid, I would write picture books that had housefires and skeletons walking around in them. I occasionally read and write lighter things, but the life-and-death plotting of thrillers is my passion. I do have a paranormal romance in my catalog called "Metalhead" which I am working on a sequel for, and I am sure I will write more paranormal romance in the future. All of my work has at least some element of romance, including my horror writing. I do enjoy writing romance, as well as other genres like fantasy and sci-fi. The trick is that I can't seem to help myself; for even in my romance writing, I always end up with a tragic backstory and a villain who gets brutal justice. Maybe I ought to give dark romance a shot...now there is a genre trending right now. 

You have said that Poe: Living Tomb was your hardest book to write. Can I ask why, and approximately how long it took you to complete this piece?

"Poe: Living Tomb" was difficult because when I first started working on it, I did not really understand what it was about and the misunderstanding I had didn't fit with where I was in my head. I had a very detailed outline for it, which is more than I usually have when I start a book, and I thought it was going to be a fairly typical detectives-hunting-a-serial-killer story. The main character, Poe, was at a pretty good place in her life at the start of the book and feeling strong and confident, and I thought this book would include some difficult moments for her but would mostly be a continuation of the upward trajectory of her character arc. None of this fit with my personal life at the time, which is a problem because I feed a lot of my emotions into my writing. I was dealing with a lot of self-doubt, fear, and sadness, and missing deadlines for the project because I was blocked on it only made it harder. I couldn't connect with the story while I was feeling all that. Including procrastination and angsting, this book took a little over a year to write, but almost all of the actual writing happened in less than two months, after the story started to click for me. What broke the dam was realizing that "Poe: Living Tomb" wasn't as cut-and-dry of a story as I expected. It was actually at its core a story about how recovery is not linear and about how sometimes things in life go catastrophically bad, and we have to choose to keep fighting anyway. That is what I really connected with; that no matter how life kicks us while we are down, we can still choose to stand up, spit out the blood, and come back for another round. This book was grueling to write, but in the end my main character, who has been through absolute hell and battles crippling depression, chose to literally claw her way out of a grave rather than give up. If she can do that, I can do anything. In the end, this was the hardest book I have written, but also the most personally rewarding. 

How has Edgar Allan Poe left a handprint on your personal publications?

Edgar Allan Poe is everywhere in my work. He is the inspiration behind the plot of my "Poe" series, which is about a young woman who discovers Edgar Allan Poe's direct descendent that has inherited a family curse that takes the form of his stories. In those books, Edgar appears as a minor character in the form of a ghost trying to assist his descendant, and his stories come to life in twisted, modern forms to haunt the main character. The biggest impact Edgar Allan Poe has had on my work, though, would be in how his style and philosophy have informed mine. The similarity in subject matter is obvious, of course, but so much of the way that I write is because of things I learned reading Poe. I feed a lot of raw emotions into my writing like he did. My plotting and story arcs are very character-driven, and my characters are flawed, human, and often not entirely sane. My writing style is not just first-person like Poe's typically was but also can be very stream-of-consciousness in its pacing, like his. Just like Poe, I choose to write about incredibly intense and emotional moments in characters' lives and not to shy away from the darkest aspects of those moments. None of this was intentional, by the way, but looking back at my own work I can see the weight of Poe's influence, and I am grateful to him for making me the writer I am.  

Finally, are there any other upcoming events or endeavors for 2026 you wish to mention?

After Louisville Horror Con, I will be taking a break for a few months to focus on writing before getting back to traveling for spooky season this fall. I have a lot of work in progress I am eager to give some attention to, including the sequel to "Metalhead," the final installment in the "Poe" series, and a new project I am working on which is a horror series set in the Northwoods of Wisconsin. I am looking forward to a quiet summer and hoping that when I hit the convention circuit again this fall it will be with one or two new books in tow.  

More information on Rachel is here: HOME | Rachel M. Martens - Author

Emily Ladau – Author, Activist and Consultant

Emily Ladau is a prominent disability rights activist, author, and digital communications consultant known for her advocacy work and her book, "Demystifying Disability." She was born with Larsen syndrome, which is a genetic physical disability. She grew up on Long Island, New York, and began her advocacy journey at the age of 10 when she appeared on several episodes of Sesame Street to educate children about her life with a disability. Emily graduated with a B.A. in English from Adelphi University in 2013, where she was later recognized as one of the university's 10 Under 10 Young Alumni in 2017. She has held various roles in the publishing industry, along with being the co-host of The Accessible Stall Podcast. Her writing has also been featured in The New York Times, CNN, Vice, and HuffPost. 

She was so incredibly helpful and kind to me during my time at ReelAbilities Film Festival, and thankful for our connection. Here is our interview:  https://www.youtube.com/watch?v=hyGnDr7k1qU

Artist Tessa Koller

Tessa Koller is an artist and fashion designer. She earned her BFA from the Milwaukee Institute of Art and Design in 2008, and took on a full-time fashion design/art career. Within Tessa’s design work in both painting and fashion, she shows the unique elements of nature. 

Most recently, Tessa was published in a book titled Positively Rare(on Amazon) with twenty-five other authors from around the world. A woman named Erin Paterson, with Huntington's Disease from Canada, started the project and invited her to participate as a contributing author. The chapter written by Tessa is about a near-death experience she endured a few years ago.

To watch our interview, visit:  https://www.youtube.com/watch?v=Ol9qJ60b32w

More on Tessa is here: https://www.instagram.com/tessakollerart

Tape Artists and Advocates of Art, Leah Smith and Michael Townsend

Leah Smithand Michael Townsend are the current Tape Art duo traveling around the USA and the world to make BIG art. They are also dance partners who do video, installation, and sculpture projects when not pressing tape against walls. Leah lifts weights, has all the muscles and loves Asian action movies. Michael is a champion at long cross-country driving and loves chasing records in endurance video gaming. He is also one of the cast members of the recently released Netflix documentary, Secret Mall Apartment. Loved my time with them. To watch the interview, go to: Interview with Michael Townsend and Leah Smith from Netflix's Secret Mall Apartment and Tape Art

Additional information on Tape Art and the film is here: Tape Art | Murals, Workshops, BOOM! Projector and Watch Secret Mall Apartment | Netflix